mills

My name is Mills Baker; I write about love, culture, art, religion, mental illness, philosophy, memory, politics and the rather random.

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Posts tagged religion.
“And you will, on close introspection, find that what you really mean by ‘I’ is that ground-stuff upon which [experiential data] are collected. You may come to a distant country, lose sight of all your friends, may all but forget them; you acquire new friends, you share life with them as intensely as you ever did with your old ones. Less and less important will become the fact that, while living your new life, you still recollect the old one. ‘The youth that was I’, you may come to speak of him in the third person, and indeed the protagonist of the novel you are reading is probably nearer to your heart, certainly more intensely alive and better known to you. Yet there has been no intermediate break, no death. And even if a skilled hypnotist succeeded in blotting out entirely all your earlier reminiscences, you would not find that he had killed you. In no case is there a loss of personal existence to deplore. Nor will there ever be.”

Erwin Schrödinger, in the absolutely wonderful What is Life? (which you can read online). He argues that the only logical conclusion one can draw from the statistical facticity of determinism, given our structure, size, and subjugation to the laws of science, is that consciousness is not individual but universal and -so to speak- at the base of all things; in the words of the Upanishads, which he cites, Atman is Brahman.

The book is fascinating, and the co-discoverer of DNA’s nature claims it anticipated and sped his research: significant praise for a work by a physicist. Beyond its discussion of the basis of life in a physical sense, it contains Schrödinger’s thoughts on mind, a phenomenon of special complexity and meaning that is taken for granted despite being scarcely understood. In “The Mystic Vision,” he wrote:

“Knowledge, feeling, and choice are essentially eternal and unchangeable and numerically one in all men, nay in all sensitive beings. But not in this sense — that you are a part, a piece, of an eternal, infinite being, an aspect or modification of it… For we should then have the same baffling question: which part, which aspect are you? what, objectively, differentiates it from the others? No, but, inconceiveable as it seems to ordinary reason, you — and all other conscious beings as such — are all in all. Hence, this life of yours… is, in a certain sense, the whole… This, as we know, is what the Brahmins express in that sacred, mystic formula… Tat tvam asi — this is you. Or, again, in such words as ‘I am in the east and in the west, I am below and above, I am this whole world.’ Thus you can throw yourself flat on the ground, stretched out upon Mother Earth, with certain conviction that you are one with her and she with you … For eternally and always there is only now, one and the same now; the present is the only thing that has no end.”

I find the insistence of a Nobel laureate such as Schrödinger that these ideas are to be taken as literal descriptions of the world, not as metaphors in any sense, to be extraordinarily interesting.

[Flash 9 is required to listen to audio.]

Hildegard of Bingen - O tu suavissima virga

Sydney’s child Vera was born on September 17, and because I’m fond of coincidence -though not credulous about its purported meaning, numerological or astrological or otherwise- I was eager to learn what resonances that date might have.

As it happens, it is the feast day of Hildegard of Bingen, a venerated and polymathic mystic, composer, scholar, artist, and theologian who died in 1179. Particularly for a woman in the Catholic church of the 12th century but indeed by all standards, her life was remarkable.

Hildegard in the Liber Scivias.

Among other distinctions, she is the earliest known composer whose music we possess, making her a mythical figure in the classical canon which would soon exclude women. In addition we have much of her writing, an invented language (possibly the first constructed language, alphabet below), illustrations, and stories of her spiritual intensity and strong will.

Happy, Raynor?

I first learned of Hildegard of Bingen in a class I took on Julian of Norwich, the 15th century English anchoress and mystic. For many Christian women of the Catholic or Anglican churches, they are among the most beloved figures, alongside Saint Teresa of Avila and Mary. In her life, Hildegard corresponded with popes and men like Suger, considered by many the main source of the Gothic style in architecture; she is even listed in the Roman Martyrology, the 16th century list of Catholic saints published by the Church, although she has not been officially canonized in the current process.

“Universal Man” illumination from the Liber Divinorum Operum.

While I share a birthday with Joseph Goebbels, Vera’s birthday is intertwined with Hildegard, whose music I listen to on occasion and who wrote that

“Underneath all the texts, all the sacred psalms and canticles, these watery varieties of sounds and silences, terrifying, mysterious, whirling and sometimes gestating and gentle must somehow be felt in the pulse, ebb, and flow of the music that sings in me. My new song must float like a feather on the breath of God.”

Happy birthday, Vera, and congratulations, Syd and Q!

Excerpts from "There Is No Natural Religion," part two, by William Blake

Man’s perceptions are not bound by organs of perception; he perceives more than sense can discover. Reason, or the ratio of all we have already known, is not the same that it shall be when we know more. The bounded is loathed by its possessor: the same dull round, even of the universe, would soon become a mill with complicated wheels.

Application: He who sees the infinite in all things sees God. He who sees the ratio (reason) only sees himself only. Therefore God becomes as we are, that we may be as he is.

Excerpts from "There is No Natural Religion," part one, by William Blake

The argument: Man has no notion of moral fitness but from education. Naturally he is only a natural organ subject to sense… Man’s desires are limited by his perceptions; none can desire what he has not perceived. The desires & perceptions of man, untaught by anything but organs of sense, must be limited to objects of sense.

Conclusion: If it were not for the poetic or prophetic character the philosophic & experimental would soon be at the ratio of all things, and stand still, unable to do other than repeat the same dull round over again.

“Kierkegaard is a star, although he shines over territory that is almost inaccessible to me.”

Franz Kafka, to Oskar Baum. Kafka doesn’t mean that Kierkegaard illuminates a Christian world which is alien to his Judiasm; he elsewhere wrote that Kierkegaard “is on the same side of the world. He bears me out like a friend.”

Indeed, Kafka’s Judiasm had as its greatest effect his preoccupation with gnosis and textual indeterminacy, with an endless exegetical pursuit of truth long since vanished from the word and the world. To a lesser extent, it provided an atmosphere and some iconography for his mind, and no German-speaking Jewish man living in Prague in the early 20th century could escape the relentless othering that so dislocated and alienated him.

But reductive analyses fail clumsily with Kafka, who was a modernist writer more than a Jew or a neurotic or a Czech or a European or a mystic. It is in his modernism, which we largely share -post merely being a prefix- that we find what put the Kierkegaardian territory “almost” beyond reach:

For Kierkegaard the absurd -the suprarational- remained an alternative to the world of reductive, superficial reason; for Kafka, the absurd -the irrational- had become the world of superficial contemporaneity. What was transcendence for Kierkegaard was, in distorted form, a reality for Kafka: the senseless world of anti-rational, post-human social derangement.

The territory of religious commitment as a turning-against-the-world was almost inaccessible to Kafka, who saw the world turning against itself; Kierkegaard drew inspiration from Abraham’s irrational willingness to murder his son, while Kafka saw that soon, functionaries would commit atrocities by the millions without asking for a rationale.

This is why Kierkegaard is timeless -Wittgenstein said: “Kierkegaard was by far the most profound thinker of the last century. Kierkegaard was a saint.” Kafka, on the other hand, wasn’t a saint but a prophet: he saw as early as anyone what modernism meant: reason run amok and no solace beyond reason, no leap permitted.

(Note: the awesome Greg Brown and I have been arguing over whether fiction or non-fiction is superior, is more real, in Meaghano’s comments; I think Kafka’s prescience is a good example of why the novel will always illuminate more than the essay: we must imagine before we describe).

The Christ of the Abyss, off the Italian coast at San Fruttuoso some fifty five feet below the surface. Commemorating a diver who perished near the spot, the statue has many iterations around the world, one of which was, according to Italian police, vandalized by Satanists who removed its arms.
More photos on Flickr.

The Christ of the Abyss, off the Italian coast at San Fruttuoso some fifty five feet below the surface. Commemorating a diver who perished near the spot, the statue has many iterations around the world, one of which was, according to Italian police, vandalized by Satanists who removed its arms.

More photos on Flickr.

“But as for certain truth, no man has known it, nor will he know it; neither of the gods, nor yet of all the things of which I speak. And even if by chance he were to utter the final truth, he would himself not know it: for all is but a woven web of guesses.”

Xenophanes, quoted by Karl Popper in “The Beginnings of Rationalism” and cited by the excellent Matt Young (who, along with Superfluidity, will surely have wiser commentary on Popper than I ever did).

The quote in full:

The Ethiops say that their gods are flat-nosed and black while the the Thracians say that theirs have blue eyes and red hair.

Yet if cattle or horses or lions had hands and could draw and could sculpture like men, then horses would draw their gods like horses, and cattle like cattle, and each would then shape bodies of gods in the likeness, each kind, of its own.

The gods did not reveal, from the beginning, all things to us; but in the course of time, through seeking, men find that which is better…

These things are, we conjecture, like the truth.

But as for certain truth, no man has known it, nor will he know it; neither of the gods, nor yet of all the things of which I speak. And even if by chance he were to utter the final truth, he would himself not know it: for all is but a woven web of guesses.

In anticipating Popper’s brilliant description of how we know what we know, presented alongside his solution to the problem of induction, Xenophanes demonstrates again: “There is nothing new under the sun.”

I’ve written before that Paul Simon is my favorite lyricist, and when taking this photo I was reminded of a wonderful -but strangely isolated- line in his song “The Obvious Child,” a song which for many years I took to be rather about me and which largely inspired me to take up the drums, first by playing on a homemade and home-painted kit of buckets, unused aquariums recycled from my menagerie, and popcorn tins and later on increasingly expensive sets, until I finally left my equipment, and along with it the interest that had guided much of my life through high school and college, in New York when I left my college there.
The line which came to mind took me years to understand, and was probably explained to me by someone else: I regularly fail to grasp even very simple poetry. Simon says, “The cross is in the ballpark,” referring to the transition of Christianity from the church into the stadium, from the pulpit into the production studio. The song is otherwise personal, and this line stands out as the sole cultural context for the character’s plaintively-expressed anxieties.
There is a connection between the mass-production of faith and the isolation of the individual in his fears, I am sure. In any event, above is the ballpark; the fences seem almost to frame an altar, but there was no cross to be seen.
(From Photophobia).

I’ve written before that Paul Simon is my favorite lyricist, and when taking this photo I was reminded of a wonderful -but strangely isolated- line in his song “The Obvious Child,” a song which for many years I took to be rather about me and which largely inspired me to take up the drums, first by playing on a homemade and home-painted kit of buckets, unused aquariums recycled from my menagerie, and popcorn tins and later on increasingly expensive sets, until I finally left my equipment, and along with it the interest that had guided much of my life through high school and college, in New York when I left my college there.

The line which came to mind took me years to understand, and was probably explained to me by someone else: I regularly fail to grasp even very simple poetry. Simon says, “The cross is in the ballpark,” referring to the transition of Christianity from the church into the stadium, from the pulpit into the production studio. The song is otherwise personal, and this line stands out as the sole cultural context for the character’s plaintively-expressed anxieties.

There is a connection between the mass-production of faith and the isolation of the individual in his fears, I am sure. In any event, above is the ballpark; the fences seem almost to frame an altar, but there was no cross to be seen.

(From Photophobia).

“With the possible exception of Buddhism, no religion we know about is capable of allying itself to the state without working to the destruction of liberty. Less commonly noted is that it will also work to the destruction of itself, by trivializing its own teachings, or rendering them obnoxious in the attempt to impose them legally, instead of by exhortation, example, and witness.”

Clive James. I tend to think that only a religion which stands apart from society can meaningfully refer to the proposed eternal world which is its proper concern; excessive preoccupation with the minutiae of contemporaneity degrades any faith.

Like most of Cultural Amnesia, the essay offers aphorism after aphorism, the elegance of its insights demanding multiple quotations. I apologize for the length of the following, but given James’ status as an agnostic (if not atheist) cultural critic and historian par excellence, I feel his view is fascinating. Speaking of how translations of the Bible erode credulity, James notes that:

“The King James Bible is a prose masterpiece… The modern versions, done in the name of comprehension, add up to an assault on readability. Eliot said that the Revised Standard Version was the work of men who did not realize that they were atheists. The New English Bible was worse than that… For those of us unable to accept that the Bible is God’s living word, but who believe that the living word is God, the successful reduction of once-vital language to a compendium of banalities was bound to look like blasphemy… For me, the scriptures had provided a standard of authenticity against the pervasive falsehoods of advertising, social engineering, moral uplift, demagogic politics -all the verbal corruptions of democracy, the language of illusion… I don’t want the teachings of Jesus taken from me… If I no longer know that my redeemer liveth, I know that he speaketh not like Tony Blair. It is true that Jesus never spoke the language of the King James Version… But the language of the King James Version is of a poetic intensity congruent with the impact Jesus must once have had on simple souls, of whom I am still one: simple enough, anyway, to need my sins forgiven. Now that there is nobody to do that for me, I must try to do it myself. Like most men with a conscience, I find that very hard, and spend much time feeling absurd. But without the scriptures we poor wretches would be lost indeed, because without them, conscience itself would become just another disturbance of the personality, to be cured by counseling.”

While I think substantial exceptions can be taken to some of his points, James routinely delights me by his serious and apolitical engagement with the sources of culture; he is never facile because his subject -the world of meaning- never is either.

Religious Wars

Anthony de Mello, in Awareness, is critical of certainty of any sort, and especially of theological certainty: “The fanaticism of one sincere believer who thinks he knows causes more evil than the united efforts of two hundred rogues. It’s terrifying to see what sincere believers will do because they think they know.” The Jesuit priest tells a parable I found striking:

A man born blind comes to me and asks, “What is this thing called green?” How does one describe the color green to someone who was born blind? One uses analogies. So I say, “The color green is something like soft music.” “Oh,” he says, “like soft music.” “Yes,” I say, “soothing and soft music.” So a second blind man comes to me and asks, “What is the color green?” I tell him it’s something like soft satin, very soft and soothing to the touch.

So the next day I notice that the two blind men are bashing each other over the head with bottles. One is saying, “It’s soft like music”; the other is saying, “It’s soft like satin.” And on it goes…

It’s even worse than that, because one day, say, you give sight to this blind man, and he’s sitting there in the garden and he’s looking all around him, and you say to him, “Well, now you know what the color green is.” And he answers, “That’s true. I heard some of it this morning!”

Morality

Although I am an atheist, I am very fond of religions and respect belief in them completely (for reasons I’ve discussed previously). Much, though not all, religious tradition is codified morality of a very fine sort, the sort imbued with an otherworldly detachment from ends. While the practitioners of religious morality -being human- have often been deviously barbaric, the ideas themselves and their interwoven mythical justifications can be both beautiful and transformative.

Ordinary morality, concerned with praxis and outcomes, is problematized by subjectivity as well as human nature; as Nietzsche noted, “All things are subject to interpretation; whichever interpretation prevails at a given time is a function of power and not truth.” From the start, any individual or collective assessments of reality and their according moral deliberations are debatable, endlessly so. This does not mean that nothing is good or that nothing is evil, but it does multiply the gradations of gray between those poles. And since error is the central feature of human existence,” the most important moral decisions about when we may kill, when we should die, how many civilians we may incinerate incidentally and for what ends, are in my view fundamentally indecent to make. We are too likely to be wrong to take life. As J.U. Neuf put it in 1950, “The total wars of our time have been the result of a series of intellectual mistakes.”

When I say pure morality is unconcerned with ends, I mean it is concerned only with means, with the conduct of the individual. The state of the world is never within your control; only your behavior is. A pure moral system -which arbitrates your relationship with the world- cannot depend at all on variables beyond your control or it is worthless, contingent, ungoverning. Thus pure morality has little to say about justice or peace or other political concepts involving the group; rather, justice and peace emerge from aggregated individual morality.

(This is why efforts to “legislate morality” are deeply problematic. As social morality is an emergent phenomenon, it is not within our capacity to lead the horse with the cart by enforcing ends; we must be and inspire moral individuals, a process nearly impossible except on the interpersonal scale).

Long ago, I asked my father what was extraordinary about Jesus’ willingness to be crucified. After all, I asked: if I proposed to him that he might die painfully but would in doing so give eternal and blissful life to every human being who wanted it, wouldn’t he say yes? Given the context of the Gospels, wouldn’t he be elated to save sinful humanity? I ask this of parents: wouldn’t you die to give your child infinite life without suffering? Wouldn’t we all love to have this: a chance to sacrifice for the good of all humanity, a chance to redeem the world? And to know while doing so that an afterlife awaited you?

If we posit that there was a heroic and incontestably valuable end, we reduce the power of his self-sacrifice, though not completely. (My father proposed that Christians assume Jesus was so fully human that he didn’t know or couldn’t believe in those aspects of his mission, particularly while on the cross; if that is the case, I regret proposing my analysis).

In World War II, Gandhi advised Jews threatened by Nazism that they “…should have offered themselves to the butcher’s knife… They should have thrown themselves into the sea from cliffs… Collective suicide would have been heroism.” We shudder at his morality, but that is purity: the “hatred of the world” Kierkegaard spoke of, the refusal to engage in any defense of self, family, or friend at the expense of another life. Gandhi will not defend Indians; Jesus will not save the crucified thieves. (This is why the Buddha felt that children were chains: they bind you in love to the world your status in it; you cannot, for example, martyr yourself resisting the SS if you have a family who will suffer for your deed).

This morality is difficult if one hopes to improve the world-which I why I would never engage in political action- and I admit that in any material sense it is indefensible. Civilization is the result of ever-improving efforts at implementing broader moral systems (efforts with fits and starts, to be sure), which is another reason why moral teachers and prophets are typically renunciatory: they have no business in society.

The world cannot and perhaps should not be composed of such people: pure in moral austerity, willing to die, willing to let kin die, willing to let the world do whatever it may without ever resisting, mindful of the fact that to fight for is always to fight against and disinclined therefore to fight at all. In extremity, morality becomes unacceptable to us; Gandhi’s ahimsa seems loathsome when we think of Hitler. And indeed, what would we say now to Jesus, who would not kill Bin Laden, or even assassinate Hitler himself?

This morality seems inhuman, practically, but it is in this morality that I am most interested, in how it problematizes the affairs of state, the laws we enact, the deeds we condone, and most of all in how in emulating the exemplars of this morality we achieve the very ends we’ve turned away from in doing so: justice and peace.

Hence Gandhi’s wonderful quote: “Be the change you want to see in the world.” Do not seek it; do not legislate it; do not fight for it. Be it.

The ruins of the oldest monastery in the Western world, destroyed by allied bombing during the Battle of Monte Cassino.
The novelist Walter Miller, who participated in the destruction of the abbey where St. Benedict first organized monastic life in 524 CE, despaired for the rest of his life over our tendency to grind into dust all that we cherish with our periodic wars and our ever-advancing technology. In addition to writing the remarkable A Canticle for Leibowitz, Miller practiced Catholicism for many years, and his novel proposes that the role of religion is to preserve the human -the individual- from the indifferent tyranny of history, politics, and “just” wars. That religion is often part of history, politics, and wars is a problem of its practitioners. Miller opposed, then committed, suicide: another illustration of the tensions between belief and practice, tragic and archetypal.
Whether wars are just or not is an unanswerable question; every war is just to some participants, unjust to others, and a catastrophe for all, whether they know it or not. This is neither to say that no wars should be fought or that all wars are equally justifiable; it is merely a fact that all humans believe in their moral code, will kill for it even, and do not care in the inevitable conflicts about the opposing moral codes of their enemies (which they will accuse of incoherence, disingenuousness, or brutality but which are no less felt). Everyone can be given a hypothetical to which they will answer: “Yes, kill, kill!”
All there is to say about war is that we are sorry that history and circumstance and the deeds of the dead place us in opposition to one another, that our memories of slaughtered kin compel us to seek revenge, that it is impossible to establish the point at which the acts of entities like armies and governments can be repaid on individuals, that this world has innumerable conflicts without solutions and that history says only power resolves these by annihilating disagreement, and that our nature ensures all this more or less in perpetuity.
The destruction of the abbey turned out to have been a mistake, an unnecessary poetic flourish to a forgotten part of World War II. As with most mistakes, it tells more about us than the well-executed parts of our hideous plans:

While the original manuscripts and rare artifacts were safely removed from the site, there were several sick and bed-ridden monks and nuns who remained in the monastery. Several of the healthier nuns refused to leave the bedsides of the sick unless they too could be removed. After very limited, unsuccessful attempts by German officers to have the healthier nuns evacuate, German forces retreated down the north side of the mountain late on May 11, leaving the ill nuns in the complex. Several Catholic German soldiers protested this order, but it was ironically a 36-year old Lutheran Obergefreiter of the German 305th Infantry Division, 305th Artillery Regiment who defied the order to abandon the nuns. Eugen Schmid of Stuttgart, a veteran of the Battle of Stalingrad who was one of the few surviving members of the 305th to return to action, told his superior officers that he could not in good conscience let the ill nuns succumb to bombing. German officers refused to give Schmid any motorized equipment or personnel assistance, telling him that he would undertake the operation solo and at his own risk. At around 0100 on May 12, Schmid borrowed a rickety, wooden cart and horse from a nearby farmer and defiantly organized a squad of mostly privates to accompany him to the monastery. Once at the top, Schmid pleaded with the nuns to come, telling them that he brought a cart to evacuate the ill monks and nuns, along with each of the attending nuns. Schmid and his team carried the ill nuns and monks to the cart. They slowly started down the mountain, reaching the north side of Monte Cassino by around 0700 on May 12. Schmid was given no decorations by German authorities for his daring rescue, but received a centuries-old, gold medal bearing the likeness of St. Benedict from the Mother Superior of Monte Cassino, who placed the medal around his neck and said a short prayer with him and his volunteers. She wished for them health and safety, and that they each return home with God’s will and with the praise and thanks of each of the nuns and brothers of Monte Cassino.

There were doubtless other acts of heroism, of decency across national, ethnic, and linguistic lines, and of sacrifice beyond that compelled by hatred and strife. There was also a bear…

The ruins of the oldest monastery in the Western world, destroyed by allied bombing during the Battle of Monte Cassino.

The novelist Walter Miller, who participated in the destruction of the abbey where St. Benedict first organized monastic life in 524 CE, despaired for the rest of his life over our tendency to grind into dust all that we cherish with our periodic wars and our ever-advancing technology. In addition to writing the remarkable A Canticle for Leibowitz, Miller practiced Catholicism for many years, and his novel proposes that the role of religion is to preserve the human -the individual- from the indifferent tyranny of history, politics, and “just” wars. That religion is often part of history, politics, and wars is a problem of its practitioners. Miller opposed, then committed, suicide: another illustration of the tensions between belief and practice, tragic and archetypal.

Whether wars are just or not is an unanswerable question; every war is just to some participants, unjust to others, and a catastrophe for all, whether they know it or not. This is neither to say that no wars should be fought or that all wars are equally justifiable; it is merely a fact that all humans believe in their moral code, will kill for it even, and do not care in the inevitable conflicts about the opposing moral codes of their enemies (which they will accuse of incoherence, disingenuousness, or brutality but which are no less felt). Everyone can be given a hypothetical to which they will answer: “Yes, kill, kill!”

All there is to say about war is that we are sorry that history and circumstance and the deeds of the dead place us in opposition to one another, that our memories of slaughtered kin compel us to seek revenge, that it is impossible to establish the point at which the acts of entities like armies and governments can be repaid on individuals, that this world has innumerable conflicts without solutions and that history says only power resolves these by annihilating disagreement, and that our nature ensures all this more or less in perpetuity.

The destruction of the abbey turned out to have been a mistake, an unnecessary poetic flourish to a forgotten part of World War II. As with most mistakes, it tells more about us than the well-executed parts of our hideous plans:

While the original manuscripts and rare artifacts were safely removed from the site, there were several sick and bed-ridden monks and nuns who remained in the monastery. Several of the healthier nuns refused to leave the bedsides of the sick unless they too could be removed. After very limited, unsuccessful attempts by German officers to have the healthier nuns evacuate, German forces retreated down the north side of the mountain late on May 11, leaving the ill nuns in the complex. Several Catholic German soldiers protested this order, but it was ironically a 36-year old Lutheran Obergefreiter of the German 305th Infantry Division, 305th Artillery Regiment who defied the order to abandon the nuns. Eugen Schmid of Stuttgart, a veteran of the Battle of Stalingrad who was one of the few surviving members of the 305th to return to action, told his superior officers that he could not in good conscience let the ill nuns succumb to bombing. German officers refused to give Schmid any motorized equipment or personnel assistance, telling him that he would undertake the operation solo and at his own risk. At around 0100 on May 12, Schmid borrowed a rickety, wooden cart and horse from a nearby farmer and defiantly organized a squad of mostly privates to accompany him to the monastery. Once at the top, Schmid pleaded with the nuns to come, telling them that he brought a cart to evacuate the ill monks and nuns, along with each of the attending nuns. Schmid and his team carried the ill nuns and monks to the cart. They slowly started down the mountain, reaching the north side of Monte Cassino by around 0700 on May 12. Schmid was given no decorations by German authorities for his daring rescue, but received a centuries-old, gold medal bearing the likeness of St. Benedict from the Mother Superior of Monte Cassino, who placed the medal around his neck and said a short prayer with him and his volunteers. She wished for them health and safety, and that they each return home with God’s will and with the praise and thanks of each of the nuns and brothers of Monte Cassino.

There were doubtless other acts of heroism, of decency across national, ethnic, and linguistic lines, and of sacrifice beyond that compelled by hatred and strife. There was also a bear

“Also, if this is an hallucination, it more useful than sanity.”

Cricket posted an essay from John C. Wright on his conversion to Christianity which I found fascinating; the quote above was particularly striking, and might be said to apply to many forms of irrational thought, such as love.

Although I’m an atheist, I’ve long defended religion on the grounds of its personal utility and thought it notable that a believer admitted that whether a given religious experience was real or not was less important to him than how “useful” the experience was in providing him with meaning and directing his life.

That’s very human, I think, and something I do all the time: favor what brings joy or depth over what is rationally correct.

Tags: religion
“To fall in love is to create a religion that has a fallible god.”

Jorge Luis Borges, quoted by Alphabet Pony, via Greg Brown. This is even more profound, in my view, than this earlier quote, and between the two of them I think one is given a fairly good sense of why religions of all forms (including credulous movements not explicitly supernatural in their claims) exist.

  1. All sorrows can be borne if part of a story, a narrative that transcends any given catastrophe (and doesn’t this idea echo the much-reblogged Nietzsche quote about a “strong enough why” enabling the survival of any “how”?).
  2. Love is problematized by the fallibility of the human world (and doesn’t this remind one of Gauntlet’s excellent de Botton quote concerning the end of our romanticism about what’s possible in marriage?).

Nothing in our world can be infallible, so if one is to escape Borges’ quandary one must have a god -or an object of love and trust- specifically not of this world; whether this god is created or creator is not relevant to this discussion. Anything not of this world is by its nature unimpeachable by truth claims of this world (although of course texts and mythical assertions and histories are impeachable). It is also unsupportable by truth claims of this world, incidentally.

Any story which can absorb all sorrows must be a story which includes the whole of the world and encloses it within something larger, something integrative. It must be able to narratize -to assemble into a broadly meaningful myth- the loss of a dog, the death of a child, the genocide of a people.

Religions are those systems which attempt, however successfully or unsuccessfully, to accomplish these tasks: to unfold stories into which your private tragedies and joys, and those of larger human groups, may be written as part of a narrative with sufficient scope to make them bearable, and to provide an infallible purposive deity in whom you can believe, whatever the phenomena of the natural and human worlds.

In our era, many other credulous movements have attempted to do the same with a lesser reliance on the supernatural, but equivalent use of myth and the aura of infallibility. What makes religion more durable is its explicit exemption from natural inquiry; whereas few Christians mind that there is no trace of the miraculous in our world, it is problematic for Marxists that some of the iron-laws of history predicted by their founder have not come to fruition (yet!).

I know I said I’d not mention this again, but I was struck by the synchronicity of these quotes.