mills

My name is Mills Baker; I write about love, culture, art, religion, mental illness, philosophy, memory, politics and the rather random.

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A Love Letter

I drove home with the windows down. That inexplicable change in the air that all know as the first sign of autumn, a change more than the weatherman’s metrics measure, of more than temperature or humidity or wind, had drawn me backwards through my life into the Octobers of late childhood, when birthdays, Halloweens, jackets with patches, and early, splendid sunsets brought to my chest a rising feeling which even then I knew was a euphoria I’d recall for my entire life.

Some years I feel that change in the air and it is as though I am living many years at once, as though my childhood now occurs again concurrent with my adulthood, and I am supremely happy. Driving home, I nearly shook with happiness.

I thought of how much I love you. It isn’t often that I think this way; generally, your presence is the unending, unnoticed assumption: you are always there, and it is on top of you, through you, beneath you that the stuff of my life is scattered. My attention is drawn to the froth and scum on your waves.

Or worse-

-and it is often worse, because I am an ordinary man and inclined to seek out the source of my problems as far from their actual origin as I can, to start the war on my miseries across the world so I won’t have to fight them here, so to speak, and to remotely attack whatever incidental features you possess as safe-havens for what grates, depresses, upsets, and restrains me, even though I and you know that I am the only safe-haven for my despair and anger, and I am the source of all of my problems-

-I blame you, cursing the clouds for my moodiness, thundering at the rain for interfering with my modest habits, shouting that I wish I could kill the diseases that nourish themselves in my body, kill the ants that bite me for my food and footsteps, kill the grasses that grow high around my little wooden house, kill everything that subverts my geometrical order, my symmetrical obsessions, the smoothly efficient running of my errands. I blame you for the death that comes to all, for the entrails that spill from prey, for the hatchlings eaten in the nest, for the trees starved of light by their own kind, for the suffering we endure, inflict, accidentally engender, fail to prevent. I blame you for the unfairness of your gifts: the beauty concentrated here, the plenty concentrated there, the strength elsewhere, the peace somewhere else; I even detest the wind, that most basic sign of instability and unfairness: air rushing to find its equilibrium, to settle evenly, and never able to do so.

But as I was driving home I looked up through the boughs stretched over the deserted streets, the darkening colors of sunset behind them, the branches seeming to crack in the mild breeze, and I thought to myself: for once I should try, even though I lack the sense or diction for it, to write something nice to the world, since it is, despite my distemper and foolish insistence on comparing it to some imagined perfection which would surely be less perfect, utterly beautiful.

Tags: love
“To think that we could have had an ordinary life with its bickering, broken hearts, and divorces! There are people in the world so crazy as not to realize that such is the normal human existence of the kind everybody should aim at. What wouldn’t we have given for such heartbreaks!”

Nadezhda Mandelstam, widow of the poet Osip Mandelstam, who was arrested and tortured and, in essence, killed by the Soviet State, in her memoir Hope Against Hope. Osip himself noted that

Only in Russia is poetry respected – it gets people killed. Is there anywhere else where poetry is so common a motive for murder?

Such histories can make one despondent, but there is also the consolatory power they posses: what we endure is nothing alongside the anguish of our forebears, and what they endured too pales in comparison to our distant ancestors, and so on.

“…no man not in love takes pictures of girls reading books in soft focus…” -Meaghano.
(Abby, reading An Illustrated History of the Texas Rangers at the ranch).

“…no man not in love takes pictures of girls reading books in soft focus…” -Meaghano.
(Abby, reading An Illustrated History of the Texas Rangers at the ranch).

Abby, Will, John, Rebecca, Andy, and I went to the ranch for a few days of filth, scrum, shooting, swimming, high-bluff-jumping, smoking, night-photography, drinking, and more. We didn’t take enough photos, possibly because we were too busy having a good time.
We followed some deer and some hogs and even caught some rain, despite the drought. Worse than usual, I am having a hard time being back.
The photos are here; I’ll probably post some more when I get the chance.

Abby, Will, John, Rebecca, Andy, and I went to the ranch for a few days of filth, scrum, shooting, swimming, high-bluff-jumping, smoking, night-photography, drinking, and more. We didn’t take enough photos, possibly because we were too busy having a good time.

We followed some deer and some hogs and even caught some rain, despite the drought. Worse than usual, I am having a hard time being back.

The photos are here; I’ll probably post some more when I get the chance.

“We can only learn to love by loving.”
Iris Murdoch, quoted by Frederick Woodruff. Murdoch is also responsible for what I believe is one of the greatest synopses of philosophy and psychology I’ve read.
(From Little Potato: moss, diagrams, letters, colors, quincunx, more).
After a bad day, I came home to a small, meticulously-bundled world on my doorstep; it took me out of the large, carelessly-arranged world in which my day had spilled out earlier, and I liked it so much I didn’t know what to do.
That’s when cigarettes come in handy. I smoked one and read the enclosed essay, letters, and poetic fragments before silently thanking its creator, who is at once meticulous and accident-prone, such that this sublime world had both precise details almost too fragile to believe and an unintentional overwash of Orangina smudging many of its pages. That, of course, made it even better.

(From Little Potato: moss, diagrams, letters, colors, quincunx, more).

After a bad day, I came home to a small, meticulously-bundled world on my doorstep; it took me out of the large, carelessly-arranged world in which my day had spilled out earlier, and I liked it so much I didn’t know what to do.

That’s when cigarettes come in handy. I smoked one and read the enclosed essay, letters, and poetic fragments before silently thanking its creator, who is at once meticulous and accident-prone, such that this sublime world had both precise details almost too fragile to believe and an unintentional overwash of Orangina smudging many of its pages. That, of course, made it even better.

Tags: love abby

Lawnstar enters migratory cocoon

Lawnstar enters migratory cocoon

Taken by iconic London Underground sign

Taken by iconic London Underground sign

Seat's taken

Seat's taken

Inscrutable human art at British Museum

Inscrutable human art at British Museum

Relatives at the British Museum

Relatives at the British Museum

Watching cricket at Lord's

Watching cricket at Lord's

Enjoying some Indian Food

Enjoying some Indian Food

At a tequila bar in Whitechapel

At a tequila bar in Whitechapel

Hanging out with John Brissenden

Hanging out with John Brissenden

For Little Potato, I brought the lawnstar (Asterias sodametri from the Int’l Lawn Refuge) to London. Above are some of its memorable moments. Sadly, in the scrum of the city it was broken and now awaits the complex glue surgery required to restore it to life.

Tags: love

Pomegranate

At night this thought occurs: lost love offers a glimpse of mortality. The anguish is not in the darkness or void itself but in recalling that past superabundance of light and warmth. And just as when one leaves love, when one leaves life the change is not in the air, not in the Earth: one is cold as clay, but the sun shines freshly across grasses as though one were newborn.

That is to say: you are dead, not life; the fault is yours. Will you recall when you are dirt what it was like to breathe? Isn’t this how it feels to recall the freely loving moments of one’s life before one fell darkly and dumbly into oneself?

One’s flesh was different, as though one’s arteries poured wine or one’s heart was a pomegranate; now one merely wonders: does the heart pump the toxins which poison the mind, or does the mind plot the suffocation of the heart? What accounts for this internecine murder? Did one damage oneself through cowardly decisions or is this what one always was, but love was some sort of transformation, one that we cannot enact alone?

One can make any place home: in the sludge and grime of deep soil, one sets up shop: out come the photographs for the shelves: oneself with one’s friends, one’s favorite pet. But other photographs one stares at wondering: who was I that this seemed disposable to me? How is one not monstrous who breaks beauty from curiosity, like a boy cutting open a stray cat to see its guts?

‘Curiosity’ is too weak a word for the wanderlust that drives us, the restlessness that unsettles us; this is what the story of Eden means: the eating of the apple was self-expulsion; one willed one’s own death, a hard thing to remember when it is dark and cold and one hears the worms burrowing all about.

Tags: love
“He told himself there would be no harm in taking a brief pause in his relations with women. Until next time, as they say. But this pause kept getting longer week by week, month by month. One day he realized there would be no ‘next time.’”
Milan Kundera, Immortality.

“He told himself there would be no harm in taking a brief pause in his relations with women. Until next time, as they say. But this pause kept getting longer week by week, month by month. One day he realized there would be no ‘next time.’”

Milan Kundera, Immortality.

Love & Dogs

My first requested over-long essay; here it is, TWIB. It surely reads too much into the subject, but I defend myself with Kafka’s assertion: “All knowledge, the totality of all questions and all answers, is contained in the dog.”

As a child, I didn’t use to know if I loved anyone. I wondered whether it was possible that I had simply assigned to the extremity of fondness I felt a name which it didn’t deserve; I have always been neurotic about such things (we perhaps expect too much of love).

It is a human concern, whether some devotion or adoration rises to the level of love; so too are concerns about love’s details, dimensions, and duration. They are human because they are linguistic and self-reflective; they involve the conscious mind, a spatiotemporal metaphor-machine which came into existence perhaps ten or twenty thousand years ago, not more.

It is at that approximate time that dogs and humans became intertwined, our domestication of them morphologically splintering them from their lupine forbears and their devotion to us perhaps helping to engender the moral decency Herbert Spencer referred to when he wrote that the “behavior of men to the lower animals and their behavior to each other bear a constant relationship.” (He was not alone in thinking that our relations with animals are a barometer of our morality).

The relationship between dog and human is peerless. Malcolm Gladwell noted some expressions of the inter-species connection from researchers who have found that absolutely alone among animals, dogs instinctively believe that humans will help them accomplish tasks. They are hyper-attentive to us, more than we are to ourselves; they register minute differences in posture, breathing, pupil dilation, and tone. They are more trusting of us, more drawn to us, than primates are, even Chimpanzees.

Recent scholarship suggests that this is the result of evolutionary development. After so many millennia of shared existence, dogs now come into the world looking for us; they seek us out and, finding us, have no wish to part. Their integration into human life has structured the formation of their mental world: they are now an animal which exists for another as well as for itself.

But does it abuse the language to say that they love us or that we love them? And if it does not, how do we relate this love to other forms of love?

One easy hierarchy of affections is proposed by Roger Scruton, whom I quoted some months ago; discussing pets, he writes that

“…[We] pour out on them the pent-up store of fellow-feeling, without fear of reproach. At the same time, we are acutely aware of their moral incompetence. Their affection, if it can be won at all, is easily won, and based on nothing… It implies no moral approval and leaves the character of its object unassessed and unendorsed.”

Though this is exaggerated (as there are some men even dogs dislike), it gives us a division: the “easily won…based on nothing” affection of an animal and the affection of humans, which carries with it “moral approval,” assessment, and endorsement. Although I found this idea striking when I first read it, something about it now seems presumptive, even absurd: Scruton’s vision of human love is precisely what is least appealing about it!

Milan Kundera once observed that if his wife said she loved him because he was handsome, intelligent, or charming, it meant very little: everyone loves those qualities, and they are only part of one’s character! But when she said that she loved him despite his ugliness, stupidity, or boorishness, it meant a great deal. Love based on attributes is contingent and common; love in the face of foibles is precious.

What Scruton suggests is superior is debatably so: it is a process of assessment; assessment is judgment. It is therefore a process in which one ignorant human, with pitifully partial knowledge of the deeds, experiences, thoughts, and feelings of another, judges him morally and either endorses him or rejects him, and that judgment will be based on shared, common, social norms: it will be replicable.

We recognize that such love is of dubious value. None of us will long survive the moral interrogation of a judge! In our depths and our darkness, humans are complexly ambiguous. Thus real love is understood to be a commitment -an act, a pact, a planned, willed, decisive choice- rather than the result of feeling or “moral approval.” Indeed, it is for this reason that we have other avenues for the moral approval we cannot give each other, most notably religion. Most religions in some way address the innate human sense of moral corruption, whether by contextualizing it as natural or something to be overcome or by asserting that it is forgiven by an act of a godly love.

This is felt to be a very profound sort of love: it is willfully blind to social judgments, to legal infractions, to filthiness and failure. It loves the soul, so to speak, and the soul is not one’s doings, one’s speech, or even one’s self; it is not the personality, the psyche, or the subconscious; it is the inimitable, unique essence of an individual beneath even his or her heart.

Of course, such a love does not recognize the parts of us we care most about: the sense of humor, the quickness with a kind word, the charity, the wounded self. Indeed, if we are all equally gifted this superhuman (or subhuman) love, what is it worth? We want to be loved both deeply and for who we are, even as that latter element is a changing and illusory quantity. We want to be loved both for the soul and for the self.

But we do not derogate this high form of love because it ignores the self. It is “extraordinary…so close…yet so remote,” as Thomas Mann said of dogs; it is a blind commitment to all humans, but we treasure it.

It may be objected that unlike the purported love of a god or a deeply affectionate relative, the blindness of a dog’s devotion is worth little because it reflects a calculus of natural selection, an evolutionary imperative. The same could be said of a mother’s love for her child, which has neither selfhood nor character and is no less loved for it. We tend to slight that which we perceive as “naturally-ordained” or automatic, as opposed to “consciously-willed.” But we are evolved creatures too, and those are impossible distinctions to clearly make.

My dogs are devoted to me and I am devoted to them, not in a way that leads me to cook for them but in a way that leads me to consider them of the utmost moral value. Indeed: for every story of a dog dying for its master there is a story of a master unwilling to part with his or her dog. A professor told me of one of his graduate students whose labrador had disappeared into the currents of the Mississippi at a treacherous point; the student dove in after the dog, and both drowned. Some people I share this with find it sad, and others ludicrous.

Perhaps devotion and love aren’t the same, but given that love as a feeling is less important than love as a willed decision, we might justly regard devotion as love’s deepest manifestation. And since we are all partly acting out our biological imperatives, we might argue that the presence of “intentionality” and “comprehension” in our affections is overemphasized.

These, too, are wasteful, idle, human questions. What is beyond them is the curious and felicitous relationship we have with this other species, which Maeterlinck described:

“We are alone, absolutely alone, on this chance planet; and amid all the forms of life that surround us, not one, excepting the dog, has made an alliance with us.”

However we describe this alliance, we are as fortunate to have it as the dog is, perhaps more so: in it we can see a paradigmatic instance of non-judgmental devotion, which I maintain is not less significant for being unconscious. It is not surprising that even atheists must refer to Eden to describe dogs and their effect on us: there is something very sublime in canine affection, whatever its origin.

“Subjects in the liberal diaspora constantly urge one another to be open to the possibility that in recognizing each other in intimate love they will experience each other as different than they were before - they will experience a break, a rupture from their prior selves and experience a purer, truer form of self, a form that they have always truly been. We literally reform the social by believing in and demanding this form of love. Everytime we are in this form of love, or wish to be, or are frustrated because we are not, we make social status appear as a form of bondage, mere surface or impasse, perhaps the vital frisson that lets us feel it as a resistance. In this sense, love has become the sign of a new liberal mystery, a secular religion.”

Elizabeth Povinelli in The Empire of Love, quoted by Britticisms, who had some interesting commentary on gender-theory, the constructions of norms, and on how the imperative described by Povinelli strikes her, personally.

I adore this: “…we literally reform the social by believing in… this form of love.” Perhaps this is why the loverlorn liberal is so bitter; absent this mythological sacred space of pure selfhood, all one has is the apparent “bondage” of shared spaces and social roles.

That is to say: for some of us, if this illusion is problematized nothing remains. Love means too much.

Tags: love
“To fall in love is to create a religion that has a fallible god.”

Jorge Luis Borges, quoted by Alphabet Pony, via Greg Brown. This is even more profound, in my view, than this earlier quote, and between the two of them I think one is given a fairly good sense of why religions of all forms (including credulous movements not explicitly supernatural in their claims) exist.

  1. All sorrows can be borne if part of a story, a narrative that transcends any given catastrophe (and doesn’t this idea echo the much-reblogged Nietzsche quote about a “strong enough why” enabling the survival of any “how”?).
  2. Love is problematized by the fallibility of the human world (and doesn’t this remind one of Gauntlet’s excellent de Botton quote concerning the end of our romanticism about what’s possible in marriage?).

Nothing in our world can be infallible, so if one is to escape Borges’ quandary one must have a god -or an object of love and trust- specifically not of this world; whether this god is created or creator is not relevant to this discussion. Anything not of this world is by its nature unimpeachable by truth claims of this world (although of course texts and mythical assertions and histories are impeachable). It is also unsupportable by truth claims of this world, incidentally.

Any story which can absorb all sorrows must be a story which includes the whole of the world and encloses it within something larger, something integrative. It must be able to narratize -to assemble into a broadly meaningful myth- the loss of a dog, the death of a child, the genocide of a people.

Religions are those systems which attempt, however successfully or unsuccessfully, to accomplish these tasks: to unfold stories into which your private tragedies and joys, and those of larger human groups, may be written as part of a narrative with sufficient scope to make them bearable, and to provide an infallible purposive deity in whom you can believe, whatever the phenomena of the natural and human worlds.

In our era, many other credulous movements have attempted to do the same with a lesser reliance on the supernatural, but equivalent use of myth and the aura of infallibility. What makes religion more durable is its explicit exemption from natural inquiry; whereas few Christians mind that there is no trace of the miraculous in our world, it is problematic for Marxists that some of the iron-laws of history predicted by their founder have not come to fruition (yet!).

I know I said I’d not mention this again, but I was struck by the synchronicity of these quotes.

Love Sickness: Dissect and Discuss

Orwell famously lampooned academic verbiage in Politics and the English Language, a theme of which was that linguistic complexity is an act of obfuscation that has moral and political meanings. In America, we have the habit of validating experiences through the spurious application of medical language; we consider legitimate what can be studied and treated.

So perhaps this Wikipedia article on “love sickness” is an expression of our desire to subordinate pain to reason, although it’s worth noting that Ibn Sena, a Muslim physician in the tenth century, felt that love sickness was a medical problem.

And before I dismiss the whole idea of a dry discourse on the “medical” problems of love, I should also admit that much of the article is quite accurate:

  • “People who find the feeling of love too intense may experience “love sickness” with feelings of anxiety, and can have symptoms of mania, obsessive compulsive disorder (OCD), inflatedself esteem and depression.”
  • “According to the author of [a] study, Frank Tallis, “Many people are referred for help who cannot cope with the intensity of love, have been destabilised by falling in love, or suffer on account of their love being unrequited.”“
  • “Some of the symptom clusters shared with love sickness include
    • mania – abnormally elevated mood, inflated self esteem, extravagant gift giving
    • depression – tearfulness, insomnia, loss of concentration
    • OCD – preoccupation, constantly checking (e.g. text messages/emails, etc.), and hoarding valueless but superstitiously resonant items
    • psychologically created physical symptoms, such as upset stomach, change in appetite, insomnia, dizziness, and confusion.”

So I’ll not mock the champions of a more scientific concept of love sickness; I’m tired of poetry and love songs, anyway. Cheers to the new schema, the new diagrams and models, which indicate I suffer regularly from a disease, one which needs to be respected by my workplace, paid for by my insurer, and hopefully medicated by my friendly pharmaceutical company.

The Bronze Medal posted Mark Rothko’s Untitled, 1953.
I was discussing with a friend that, in addition to being one of the five finest writers American has produced, Flannery O’Connor had a knack for great titles: Wise Blood, The Violent Bear it Away, Everything That Rises Must Converge.
The last of these has always seemed to me a profound assertion, whether ironic or not; taken in the context of her Catholicism it is particularly notable. But I’ve often considered it in the negative: what doesn’t rise remains separate; what is not transcendent or aspirational is consigned to a plane of individuation, distinction, dialectical opposition, loneliness.
When I saw this painting, I immediately thought: these two will not converge; these two are not rising. Their separateness is irreducible, disconsolate.
This is not unlike the problems associated with being in love: the rising must continue for the convergence to occur. And at some point, we stop rising.

The Bronze Medal posted Mark Rothko’s Untitled, 1953.

I was discussing with a friend that, in addition to being one of the five finest writers American has produced, Flannery O’Connor had a knack for great titles: Wise Blood, The Violent Bear it Away, Everything That Rises Must Converge.

The last of these has always seemed to me a profound assertion, whether ironic or not; taken in the context of her Catholicism it is particularly notable. But I’ve often considered it in the negative: what doesn’t rise remains separate; what is not transcendent or aspirational is consigned to a plane of individuation, distinction, dialectical opposition, loneliness.

When I saw this painting, I immediately thought: these two will not converge; these two are not rising. Their separateness is irreducible, disconsolate.

This is not unlike the problems associated with being in love: the rising must continue for the convergence to occur. And at some point, we stop rising.

Men

The Lenny Bruce quote below comes from Clive James’ Cultural Amnesia, in which it is offered as part of a discussion of the romantically dissolute lifestyle of Peter Altenburg.

Considered by geniuses such as Robert Musil, Alfred Polgar, and Egon Friedell to be one of the great minds of fin de siecle Vienna, he was described by Franz Kafka as being able to discover “the splendors of this world like cigarette butts in the ashtrays of coffee houses.” He was witty, as well:

“There are only two things that can destroy a healthy man: love trouble, ambition, and financial catastrophe. And that’s already three things, and there are a lot more.”

His brilliance was accompanied by a complete inability to lead a stable, successful life, and he subsisted entirely on the charity of the literati and the kindness of his friends. He was also rakishly promiscuous, which leads James to write a bit about the relationship between sexual longing and romantic love:

“The saying goes that men play at love to get sex while women play at sex to get love. The second half of the antithesis is the more likely to be found interesting, because the first sounds closer to the truth… A lot of men will do a lot to get laid. But that doesn’t necessarily mean they play at love. It seems far more likely that love plays with them… [T]here can be no serious doubt, except from those who do not feel it, that the initial attraction of a man towards a woman is felt with the comprehensive force of a revelation. The sentimental view is not the romantic one, but the supposedly realistic one that love follows lust and grows through knowledge.”

James goes on to discuss Albert Camus:

Men who fall in love easily should do the world the favor of not taking their passions personally. Above all they should do that favor to womankind. Albert Camus, in the week before he was killed, wrote to five different women and addressed each of them as the great love of his life. He probably meant it every time, but had long ago learned the dire consequences for those he adored of making them pay the emotional price for his laughably transferable fixation.”

The chapter is not simply diagnostic, but indeed contains some measure of advice for men subject to the monumental and revelatory flood of infatuation. James suggests that while knowledge of women and the world is useless because of the epiphanetic nature of these feelings’ onset, self-knowledge is helpful, if only to disabuse men of their silly belief in the lucidity of their thoughts.