mills

My name is Mills Baker; I write about love, culture, art, religion, mental illness, philosophy, memory, politics and the rather random.

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Posts tagged dad.

Birthdays and Joy

Today is my wonderful father’s birthday; it is also Paul’s; it is also the anniversary of Kristallnacht and of the fall of the Berlin Wall. Does anyone know how precisely –if at all- the Earth is in the same position relative to the sun in successive years on a given date?

My father has given me a great deal, and I’ve taken even more from him, particularly materially. One of my favorite gifts from him was C.S. Lewis’ marvelous autobiography of youth, Surprised by Joy, which explores a sensation the pursuit of which was to guide Lewis’ life.

By Joy, Lewis means a precise phenomenon which is by its nature indescribable directly; I often think of it as a kind of profoundly asymptotic experience, profound because all reality, all contact, all intellection is in some senses asymptotic; the asymptote is a metaphor I think of often. Lewis says Joy is “an unsatisfied desire which itself is more desirable than any other satisfaction.” He continues:

“Joy…is here a technical term and must be distinguished from both happiness and pleasure. Joy has indeed one characteristic, and one only, in common with them; the fact that anyone who has experienced it will want it again. Apart from that…it might almost equally well be called a particular kind of unhappiness or grief. But then it is a kind we want. I doubt whether anyone who has tasted it would ever…exchange it for all the pleasures in the world. But then Joy is never in our power and pleasure often is.”

Joy is, for Lewis, most often brought about in contemplation of certain worlds, particularly in childhood, and I think it is most universally understood in that way: think of those worlds, those spaces you adored or considered magical in your youth. Perhaps it was a shed in which you played with a friend in which the sun though a small window illuminated the suspension of dust and made it appear that there was a wall of light. Perhaps it was the universe of a favorite children’s book, the illustrated rooms of which seemed rich in depth, every detail en enormity.

Perhaps it was even more vague; Lewis recalls the stirring of Joy when reading a poem:“I desired, with almost sickening intensity something never to be described (except that it is cold, spacious, severe, pale, and remote,” and later relates the development of his interest in Norse mythology to this resonance.

The frequency with which I’ve felt Joy has varied greatly; I anxiously worry that my medicines stifle it, but I have come to feel that it is actually ineluctable if one has any life of imagination at all. I feel that it is, in fact, a kind of barometer of my internal world. But it is rare, rarer than anything else I experience.

Lewis writes that “All Joy reminds. It is never a possession, always a desire for something longer ago or further away or still ‘about to be.’” In his life, the catalyst for Joy changed greatly over time and eventually became religious; indeed, there is much in the perpetually anticipatory, asymptotic, ungraspable, unspeakable quality of Joy that reminds one of various mysticisms, particularly of the East. But it is universal, I think; it is what sets us wandering in childhood, searching for beauty less of a formal than an emotional sort.

I’d never known that anyone else felt it before I read Surprised by Joy, and I can thank my dad for bringing awareness of it to me; he has done so with so many things I treasure over the course of my life that I could never repay him. Neither could I repay him all the money I’ve taken, but I think the former debt is the more significant.

In my family, it is customary to deliver news very late or not at all; as a result, I recently learned that my parents’ 40th anniversary occurred on October 11th of this year. This weekend, I spent some time scanning in a few photos of them and many photos of their childhoods, their parents, their early lives in the 1940s. Many of those are to come, as I find them transfixing.
Update: Disqus is failing to show comments left earlier, again. I apologize and am hoping to get it fixed.

In my family, it is customary to deliver news very late or not at all; as a result, I recently learned that my parents’ 40th anniversary occurred on October 11th of this year. This weekend, I spent some time scanning in a few photos of them and many photos of their childhoods, their parents, their early lives in the 1940s. Many of those are to come, as I find them transfixing.

Update: Disqus is failing to show comments left earlier, again. I apologize and am hoping to get it fixed.

GPOYW. My mother showed me an album with this photo of my father and me; in it, he looks more like me than in any other photo I’ve ever seen, and we thought it amazing. Examining it closely later while showing Abby the presence on the mantle of some preserved butterflies -which are now, 27 years later, at our ranch, where she saw them and where, since she was reading Ada, I noted Nabokov’s fondness for them- I noticed that the photo is reversed.
“Chicago” is written backwards on the Jurgen Peters print on the wall; that print, incidentally, now hangs on the wall to the left of where I sit writing this. My father’s watch is also on the wrong wrist. When the image is corrected, he looks more like himself. I suppose this means my face is the mirror-image of his, reversed in its symmetry.

Here I am on a bed at our old house: 901 Jefferson Avenue, New Orleans, LA. There was a stained-glass window in that house, a shotgun camelback in the classic Uptown style. In the background you can see a dresser, then used by my parents. It’s been mine for ten years or so. Once, in a rage, I threw one of its drawers into a window and slept with cold air pouring in that guilty night. My clothes are in it now.

My father and I are here walking in Daneel Park, on St. Charles Avenue, blocks from where my parents live now. On Saturday, I went on a run with a friend down the wide neutral ground to Audubon Park and back; while crossing the street here at Daneel Park with Bayou in tow, the car that approached after the gap in traffic was my mother’s; she drove past, to Langenstein’s grocery, without seeing us.

My mother picks me up in Bay St. Louis, Mississippi. I recently proposed to Sydney that I purchase some overalls and reintroduce them as a functional, comfortable form of attire for the American office laborer. This proposal has met with little enthusiasm, even after I altered it to specify that the overalls need not be blue, as above, but could perhaps be brown, as at the top.

GPOYW. My mother showed me an album with this photo of my father and me; in it, he looks more like me than in any other photo I’ve ever seen, and we thought it amazing. Examining it closely later while showing Abby the presence on the mantle of some preserved butterflies -which are now, 27 years later, at our ranch, where she saw them and where, since she was reading Ada, I noted Nabokov’s fondness for them- I noticed that the photo is reversed.

“Chicago” is written backwards on the Jurgen Peters print on the wall; that print, incidentally, now hangs on the wall to the left of where I sit writing this. My father’s watch is also on the wrong wrist. When the image is corrected, he looks more like himself. I suppose this means my face is the mirror-image of his, reversed in its symmetry.

Here I am on a bed at our old house: 901 Jefferson Avenue, New Orleans, LA. There was a stained-glass window in that house, a shotgun camelback in the classic Uptown style. In the background you can see a dresser, then used by my parents. It’s been mine for ten years or so. Once, in a rage, I threw one of its drawers into a window and slept with cold air pouring in that guilty night. My clothes are in it now.

My father and I are here walking in Daneel Park, on St. Charles Avenue, blocks from where my parents live now. On Saturday, I went on a run with a friend down the wide neutral ground to Audubon Park and back; while crossing the street here at Daneel Park with Bayou in tow, the car that approached after the gap in traffic was my mother’s; she drove past, to Langenstein’s grocery, without seeing us.

My mother picks me up in Bay St. Louis, Mississippi. I recently proposed to Sydney that I purchase some overalls and reintroduce them as a functional, comfortable form of attire for the American office laborer. This proposal has met with little enthusiasm, even after I altered it to specify that the overalls need not be blue, as above, but could perhaps be brown, as at the top.

Terror and Torture

I am opposed to all forms of torture for many reasons. Nevertheless:

Two of my father’s colleagues were severely injured in the Jakarta hotel bombings, and while both are expected to survive they have suffered and will continue to suffer extraordinarily as innocent victims of a murderous act of premeditated violence. One has extensive burns and wounds over his face and body from flying glass; the other had a leg “shattered,” and both will need multiple operations. Of course: many others weren’t so lucky.

My father wrote to me today with the following questions, and should you like to answer them I’d be interested in your replies, but do keep in mind that to write something uncivil simply because we believe ourselves right exemplifies why discourse is usually fruitless. He wrote:

“Pause now to reflect for a moment on the days and nights (including no doubt today and tonight -right now) of pain and anguish these men are in for. Consider that there will be effects that last for the rest of their lives.

(1) Now tell me whether these considerations weigh or should weigh in how we think about the “enhanced” interrogation techniques used on Mullah Omar and other important terrorists likely to possess critical information.

(2) Is it relevant that, forced to choose, most of us would readily submit to water boarding and sleep deprivation before going through what the Americans and Indonesians are experiencing? If not, why not?

(3) Is it relevant that the victims of enhanced interrogation techniques can stop their ordeal by answering questions, but the victims of terrorist bombs can’t? Explain your answer.”

I have my own answers to some of these questions, and particularly the last one, but I am curious of yours. Lengthier comments are welcome here. Thoughts?

[Flash 9 is required to listen to audio.]

John Coltrane - Olé.

Hero John Brissenden mentioned jazz flutist Eric Dolphy recently, and I was reminded of one of the first albums my father ever shared with me: John Coltrane’s Olé. The title track remains my absolute favorite song of his, for all sorts of aesthetic and emotional reasons, and I’ve listened to it as much as anything in my life.

You might like it. The personnel on this song are astounding: Coltrane, Eric Dolphy, Freddie Hubbard on trumpet, McCoy Tyner on piano, Elvin Jones on drums, and two bassists: Art Davis and Reggie Workman.

Note among the various miracles of this song: the bassists solo simultaneously, one plucking and one bowing (in separate channels), before Coltrane returns into the mix and unleashes a kind of fury I adore.

Even though I wore my silliest hat, today brought what in the corporate world we call “poisonous wrath” and the “deepest despair of the soul”; it is in such moments of extremity, seized by paroxysms of fury, laid low by the toxicity of stifled rage, melancholic and exhausted, that I know I am delivering value to the shareholders and being the best middle-manager I can be.
Nevertheless, it takes a toll, so when we left I thought it might be sound to take a few photos in the overgrown field next to our building. It was, and made me feel better, and then I came home and Five’s new explosive diarrheal habit had produced another kitchen-floor Pollock. After I titled, photographed, catalogued, and wrote an essay about it, I broke out the bleach to erase this most ephemeral form of art.
Then, my sister Nudawn sent me the oil painting below. I strongly dislike hugs, or human touch of any sort, or even basic human decency or warmth, outside of a relationship (a purely theoretical phenomenon at this point). When I was a child I amused my parents and teachers by drawing a two-headed beast called “The Hugging Monster” with the faces of mom and dad on it; it was chasing me. Nudawn has captured it beautifully.
This weekend I will be in New Orleans again, meeting Tumblr-users Mandalay (1st time), DHK (Umpteenth time), and Hell Belle (Nth time), probably in that order, and getting as drunk as possible on non-alcoholic beer. Don’t ever think dreams can’t come true.
(From Photophobia, here is this dumb grass even larger).

Even though I wore my silliest hat, today brought what in the corporate world we call “poisonous wrath” and the “deepest despair of the soul”; it is in such moments of extremity, seized by paroxysms of fury, laid low by the toxicity of stifled rage, melancholic and exhausted, that I know I am delivering value to the shareholders and being the best middle-manager I can be.

Nevertheless, it takes a toll, so when we left I thought it might be sound to take a few photos in the overgrown field next to our building. It was, and made me feel better, and then I came home and Five’s new explosive diarrheal habit had produced another kitchen-floor Pollock. After I titled, photographed, catalogued, and wrote an essay about it, I broke out the bleach to erase this most ephemeral form of art.

Then, my sister Nudawn sent me the oil painting below. I strongly dislike hugs, or human touch of any sort, or even basic human decency or warmth, outside of a relationship (a purely theoretical phenomenon at this point). When I was a child I amused my parents and teachers by drawing a two-headed beast called “The Hugging Monster” with the faces of mom and dad on it; it was chasing me. Nudawn has captured it beautifully.

This weekend I will be in New Orleans again, meeting Tumblr-users Mandalay (1st time), DHK (Umpteenth time), and Hell Belle (Nth time), probably in that order, and getting as drunk as possible on non-alcoholic beer. Don’t ever think dreams can’t come true.

(From Photophobia, here is this dumb grass even larger).

Tags: mom dad
GPOYW: I am very much my parents’ child, happily. (Mom and dad, 1975, photographed by my father’s brother).

GPOYW: I am very much my parents’ child, happily. (Mom and dad, 1975, photographed by my father’s brother).